Miloš sees the work as “the holy grail of the guitar repertoire and an endless source of inspiration. The first and last movements sparkle with energy and rhythm. They paint the landscape of nature, happiness and love. The legendary second movement takes us to a different reality, where emotions overflow and a string becomes a voice.”
For the recording of the new album Aranjuez, Miloš was joined by the London Philharmonic Orchestra under the baton of Yannick Nézet-Séguin at the world-famous Abbey Road Studios in London. Miloš recalls that “Yannick’s energy is infectious and our collaboration was the most electric experience. When we met before the recording sessions to run through the music together, he taught me things I shall always be grateful for. For example, he asked me to rethink my approach to Rodrigo’s notorious scale passages. He suggested that, instead of focusing on each note, I should think of them as gestures – taking each one in a different direction as if they were brushstrokes. At that moment I relaxed completely; I had found the final piece of a puzzle, a piece I had been looking for all along.”
“The young guitarist comes across as an interpreter of delicacy and meticulousness.” Financial Times
Gramophone Magazine Editor's Choice
