Maris Jansons leads the Symphonieorchester des Bayerischen Rundfunks in this album of three unique orchestral works from the 20th and 21st centuries. Though they are composed as particular structures or forms, for the listener the experience is not to analyze their forms in depth, but rather to enjoy the various colors, moods, and experimentations by the composers.
Lutoslawski's Concerto for orchestra is a three-movement work that is an exercise in contrasts. Szymanowski's Symphony No. 3 is indeed a nocturnal work. There is a lyrical, mysterious line in the strings with tenor Rafal Bartminski singing at a fairly high register above, with sparkling timbres in the celesta and flute. Alexander Tchaikovsky (who bears no relation to Piotr Ilyich) concludes the album with his Symphony No. 4 for orchestra and choir. It is perhaps best described as a musical pastiche where the composer plays with emotions, timbres, textures, moods, and colors.
Naturally, some people might find this a bit difficult to listen to if they prefer more structured or tonal music. However, for those who are willing to take a musical adventure, this album is driven by highly skilled musicians and is quite a ride.
2013 Ernst von Siemens Prize