Adapted from Italo Calvino’s 1972 fantastical novel, Cerrone’s delicate, quiet score explores sonic qualities of decay and lushness with a haunting simplicity through the use of found objects as instruments and pre-recorded voices interweaving with live voices. The opera imagines a meeting of the emperor Kublai Khan at the end of his life with the explorer Marco Polo. And the story depicts a host of fantastical cities that the explorer Marco Polo narrates to Kublai Khan: unreal cities of desire, of memory, of the imagination and mind.
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